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2015年米兰世博会中国馆的设计图

发布于:2015-09-17 20:36:17 来自:园林景观/景观规划设计 [复制转发]
本帖最后由 uarl81191 于 2015-9-17 22:26 编辑

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本次米兰世博会中国馆拒绝了之前将建筑作为一个孤立于广场上的客体的典型的文化展览馆的设计理念,反倒构想将其打造成一个空间领域。展馆犹如一朵云盘旋在“希望的田野上”,浮顶之下的一系列公共项目,其独特的设计不仅为项目创造了一个标志性的形象,而且使中国馆成为世博会场内独树一帜的风景。

Rejecting the typical notion of a cultural pavilion as an object in a plaza, the China Pavilion is instead conceived as a field of spaces. Envisioned as a cloud hovering over a “land of hope”, the Pavilion is experienced as a series of public programs located beneath a floating roof, the unique design of which creates an iconic image for the project and a unique presence within the Expo grounds.

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? MIR, ? Sergio Grazia, ? Studio Link-Arc



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? MIR, ? Sergio Grazia, ? Studio Link-Arc



中国馆的主题是”希望的田野“。展馆通过起伏的屋顶点明主题,设计者将建筑北侧的城市天际线和南侧景观轮廓融合在一起并衍生出独特的屋顶形式,借此表达希望城市与自然和谐共存的美好愿望。展馆的屋顶采用木结构,参考了中国传统建筑中的“抬梁”式结构系统,同时结合了现代技术,创造了适应建筑公共性的长跨度。屋顶被木瓦板覆盖,借鉴了传统的瓦片屋顶结构,但被重新解释为大竹叶,用以强调屋顶的轮廓,并为下方的公共空间提供遮阴。这些分层相叠的面板为展馆的屋顶增加了质感和深度并且为下方空间创造了动感的光影效果。

The theme for the China Pavilion is “The Land of Hope”. The project embodies this through its undulating roof form, derived by merging the profile of a city skyline on the building’s north side with the profile of a landscape on the south side, expressing the idea that “hope” can be realized when city and nature exist in harmony. Conceived as a timber structure that references the “raised-beam” system found in traditional Chinese architecture, the Pavilion roof also uses modern technology to create long spans appropriate to the building’s public nature. The roof is covered in shingled panels that reference traditional pottery roof construction, but are reinterpreted as large bamboo leaves that enhance the roof profile while shading the public spaces below. Designed as layered screens, these panels add texture and depth to the Pavilion’s roof and create evocative light and transparency effects below.

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? MIR, ? Sergio Grazia, ? Studio Link-Arc



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? MIR, ? Sergio Grazia, ? Studio Link-Arc



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? MIR, ? Sergio Grazia, ? Studio Link-Arc



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? MIR, ? Sergio Grazia, ? Studio Link-Arc



屋顶下面的建筑首层被定义成一片景观麦田(即“希望的田野”),象征着中国过去的农耕文明。展馆中心自然景观和LED 多媒体装置的无缝转变是这个展览项目的核心。

Beneath the roof, the building’s ground plane is defined by a landscape of wheat (the “land of hope”) that references China’s agrarian past. This natural landscape transitions seamlessly into an LED multimedia installation in the center that forms the centerpiece of the building’s exhibition program.

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? MIR, ? Sergio Grazia, ? Studio Link-Arc



展馆所有的展览和文化展品遵循一个空间序列,从外部的景观等候区到充满各种互动装置和来自不同省份的文化展品的主题展览区。之后,参观者被引导着通过一个稍微倾斜的公共楼梯到一个位于多媒体装置上方的全景平台,然后进入一个多媒体空间,里面循环放映着中国春节期间全家团圆的短片。最后参观者走出建筑来到竹屋顶上的平台,享受世博会场的开阔视线。

The Pavilion’s full exhibition and cultural offerings are experienced as a sequence of spaces, beginning with an exterior waiting area in the landscape, leading to a themed exhibition space with interactive installations and cultural offerings from different Chinese provinces. After this, visitors are guided up a gently sloped public stair to a panoramic viewing platform above the multimedia installation, after which they are guided into a multimedia space featuring a short film focusing on family reunions during China’s annual Spring Festival. This sequence concludes with visitors stepping outside the building onto a platform above the bamboo roof that enjoys expansive views of the Expo grounds.

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? MIR, ? Sergio Grazia, ? Studio Link-Arc



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? MIR, ? Sergio Grazia, ? Studio Link-Arc



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? MIR, ? Sergio Grazia, ? Studio Link-Arc



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? MIR, ? Sergio Grazia, ? Studio Link-Arc



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? MIR, ? Sergio Grazia, ? Studio Link-Arc



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? MIR, ? Sergio Grazia, ? Studio Link-Arc



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? MIR, ? Sergio Grazia, ? Studio Link-Arc



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? MIR, ? Sergio Grazia, ? Studio Link-Arc




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? MIR, ? Sergio Grazia, ? Studio Link-Arc





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