西班牙阿斯图里亚斯美术博物馆

发布于：2015-06-14 18:38:14 来自：建筑设计/公共建筑设计 [复制转发]

Spain Fine Arts Museum of Asturias
设计方：Francisco Mangado
位置：西班牙
设计团队：Idoia Alonso, Luís Alves, Ricardo Ventura, Sergio Rio Tinto, Abraham Pi?ate, Hugo Pereira, André Gue
委托方：SEDES S.A.
摄影师：Pedro Pegenaute

这是由Francisco Mangado设计的阿斯图里亚斯美术博物馆。这个综合体项目包括Velarde宫和Oviedo-Portal别墅的未来。只有通过这样全面的方法，才能保证机构的最佳功能与与阿斯图里亚斯美术博物馆同等重要。在这样的理念下，该项目考虑在城市综合体里提出一个全新的建筑。那即是现状立面的序列将作为语境条件，而立面承担了城市“背景”的作用，与新建筑及其独特的、裸露的、完全无框开口设计的立面相对立。在室外，它就是一个大型的发光建筑体，光泽而满是反射，将自身与城市历史重叠在一起，赋予了阿斯图里亚斯美术博物馆一个大胆而复杂的形象。其他诠释该建筑与环境关系的基本元素还包括室内庭院。通过通透的走廊，该庭院成为了一个聚集场所，以及连接博物馆综合体的不同建筑的连接元素。
From the architect. The project addresses the whole complex, including the future of the Velarde Palace and the Casa Oviedo-Portal. Only through such a comprehensive approach can the optimal functioning of an institution as important as the Fine Arts Museum of Asturias be guaranteed.

With this idea as starting point, the project contemplates raising an altogether new building within the urban complex. That is, the sequence of existing facades around is taken as a contextual condition, and these facades take on the role of an urban ‘backdrop’, unquestioned, against which to erect a new building with a facade of its own; a facade that reveals itself, is discerned, through naked, totally frameless openings. In the exterior it will be possible to complete a large luminous construction, glazed and full of reflections, that will project outward and superpose itself on urban history, giving the new Fine Arts Museum of Asturias a bold but complex image.The other fundamental element for explaining the building’s relationships with the context is the inner block courtyard. Through luminous glazed catwalks, the courtyard becomes a place for encounters and an element connecting the various buildings of the museum complex.

A look at the new floor plan throws light on the importance of the courtyards, the voids, in shaping the entire complex. Both the block courtyard – adequately upgraded and incorporated into the organization of the complex – and the covered court of the new main edifice, which acts as a great skylight articulating and structuring access points and circulation elements, becoming a reference space for the entire complex, are key parts of a proposal that conceptually and physically expands the current premises made up of the Velarde Palace and the Casa Oviedo-Portal.

Light is always important in architecture, but more so in a museum. Naturally we’re not referring to the artificial lighting, which of course constitutes a project in itself, but to natural light. Ideally, the presence of natural light is exquisitely subtle. And the project has tried to work toward this ideal through the logic of the voids, whether the block courtyards or the central core, and through the logic of the skylights, which directly affect the higher floors.

There are two unique elements in the new construction. One is the new facade behind the historic one running toward Calle de la Rúa and its corner with Plaza Alfonso II. More than just a facade, this is an element of great formal, visual, and functional intensity. On one hand it will be the museum’s new image, an image always tempered by historical realities. It also shapes the public stairway, which gives access to all the museum levels, and the double- and triple-height entrance spaces; spaces that engage in dialogue with the historical facades in the way they converge with and diverge from them in the interior. The project concentrates the two periods in this thick facade and allows an oblique view of the existing city, from inside, through these facades.And finally, with the surface of the existing facade ,the new facade with an elaborate glass finish produces a play of crossed reflections inside; an interaction between two facades that creates a space of rich intensity.Also unique in form are the skylights on the roof, which, being set back from the line of the facade, has little impact on the exterior, but gives great quality to the interior.

西班牙阿斯图里亚斯美术博物馆外部实景图