Photo © Atelier Alter 曲靖这座城市,有两个奇迹共存:龙颜碑和有着40万亿之久的鱼化石。 Qujing is one of a kind. Two impossible miracles co-exist in city of Qujing: the Longyan Tablet and a fish fossil of 40,000-billion-year-old. Photo © Atelier Alter 龙颜碑体现了一种卓越的书法风格的发明,而鱼化石重写了人类历史上的地质学。这些考古学遗迹都成为该项目的隐喻和主题。 While Longyan Tablet marks the invention of a prominent calligraphic style, the fish fossil rewrites geology in human history. The archaeological relics are both metaphor and subject matter of the project. Photo © Atelier Alter 柏拉图认为“曾经存在的物质从来不会停止存在。”城市的集体意识、市民期待其复兴、与时俱进等这些重要特点在该项目中都体现了出来。 According to Plato, “whatever once exists can never cease to exist,” the collective consciousness of the city and her citizens awaits a resurrection, in a contemporary setting, through the materialization of a series of significant projects. Photo © Atelier Alter 博物馆的入口被设置在建筑体的中心位置,主体建筑则被上升到了一个实体的高台上,游客们在这个高台上将开启他们游览博物馆的旅程。 The museum is entered through center of building mass. Audiences are elevated to a concrete plateau, as they begin their exhibition routes at a strategic point in space. Photo © Atelier Alter 垂直的广场景观通过逐渐散开的阶梯和同样阶梯状且悬浮的屋顶定义。顶部屋顶给人一种对抗重力的感觉,也使得建筑的形状变得夸张、醒目。 A vertical plaza is defined by processional steps and its echoing suspended roof. The graduate suspension of the enormous roof presents an “anti-gravity” architecture statement that puts the audiences in awe. Photo © Atelier Alter 人们应该体验一下这里空间的广大和城市拥有的年代。该建筑本身在虚实之间的结构表达诠释了一种历史的厚重感主题:一段有着超过40万亿年之久的博大精深的历史。 One could experience the immensity of space and time the city occupies. The strong presence of the void reinstates the gravitas of the museum’s subject matter: a profound history dates back over 40,000 billion years. Photo © Atelier Alter 层级分明的阶梯为建筑赋予了垂直的景观形态,从贴近地面的第一级台阶一直延伸至屋顶的最上层。当游客们拾级而上走入博物馆时,顶部的视线与脚步又一同收敛在了博物馆的入口处。 A vertical landscape made of concrete drapes down from roof to the ground. As audiences penetrate the landscape and reach to the exhibition zone, geography and humanity converge at that every moment. Photo © Atelier Alter 曲靖有当地历史遗迹中的宝藏——古驿道、古墓群、古老书法等。但设计团队并不想直接借用这些带有明显历史痕迹的产物,而是想通过建筑本身在虚与实、熟悉与陌生之间的对话来表达诠释一种历史的厚重感。 Instead of assimilating into analogies of the site—terrace field, fossil grain, or calligraphic strokes—the formal expression of the architecture is in dialogue between the concrete and the abstract, the familiar and the unfamiliar. Photo © Atelier Alter Level 1 Floor Plan/一层平面图 Level 2 Floor Plan/二层平面图 Section/剖面图 项目位置:中国 曲靖 建筑设计:Atelier Alter 主设计师:Yingfan Zhang, Xiaojun Bu 建筑记录:Hordor Architecture & Engineering Design Group 项目建筑师:Qiuda Lin, Weining Lin 项目团队:Weining Lin, Zhanghan zheng, Zhenqing Que, Ling Zeng, Jeff Ding 民用结构机电设计:Masha Yang, Yingying Lin, Guangyu Zhang, Xiaonan Zhu, Xiaoan Han 总承包人:Fourth Construction Co.,LTD of Yunnan Architectural Engineering Group 委托人:Qujing Culture and Sport Center Building Commission 工程造价:$17,744,615 项目面积:202,361.5 SF 项目时间:2015 摄影:Atelier Alter |
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瑞士Zug城市花园设计方案该项目位于Zug州Zugerberg和Kirchenstrasse之间的区域,区域内有St. Oswalds教堂和市图书馆及州图书馆。业主和区域所有者希望将该区域改造成为公共城市花园。这个城市花园应连接至旧城区的人行道路网,同时将图书馆主楼和阅读室连接在一起。设计面临的主要挑战是斜坡区域旁边有一个70年代建立的大型半隐藏公共停车场。停车场车道与项目用地相交。 该项目由Planetage landscape architects与Ramser Schmid architects合作完成,赢得了2010年的景观建筑大赛。评审团称赞道:“设计师在上下层之间巧妙地植入木结构装置,地形边缘的布局令人惊喜而折服,新项目为市民提供了一个新的休憩场所。”建筑师并未将大型地下停车场隐藏起来,而是认可停车场的存在并将一部分显露出来,除此之外还通过木栅栏结构来突显停车场空间。
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建筑很有味道,
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