我们常常在面对墓地时，对葬礼和悲伤充满了情感。这是我们怀着恐惧与家人告别的最后一个地方。什么样的建筑才能驱走恐惧，承载情感和记忆的空虚，同时成为我们沉淀、追忆往事的空间？我们需要一个承载悲伤和失落的载体，它不是指我们逝去后留下了什么，而是指什么样的空间鼓励我们面对我们的过去。
Funerals and grief are full of emotions. We often face the cemetery, the last place we say farewell to our family with fear. What kind of architecture will be able to drive away the fear, bear the emptiness of emotion and memory, and at the same time be a space for us to settle down and recollect the past? We need a carrier for grief and loss, it does not mean what we left behind after we passed, but it meant what kind of space encourages us to face our past.
在这片墓地里，它需要承载七万个过去，也就意味着它需要包容七万个无法挽回的遗憾。
In this cemetery, it needs to carry 70,000 past, which means it needs to contain 70,000 irreparable regrets.
倾斜的墙体堆叠，营造出群山环绕的视觉效果。在“山腰”上放置香、蜡烛和鲜花，创造了一堵墙，为我们提供了一个沉思的机会。倾斜的墙壁面向天空，记录着阳光，陪伴我们面对恐惧。厚重混凝土结构中间的天窗轻轻地为庭院洒下光明和希望。
The stacking of slanted walls constructs a vision of being surrounded by mountains. Placing incense, candles, and flowers on the “mountainside”, creates a wall and a chance for us to be lost in our thought. Wall being slanted and facing the sky, registering the rays of the sun, accompany us to confront fear. The skylight in the middle of the heavy concrete structure gently lays down light and hope in the courtyard.
墙是构成距离的元素。在这种情况下，通过以不同的角度倾斜墙壁，会产生一种它逐渐离开悲伤者的视觉效果。一个矩形的入口引入了不可预测的气候，倾斜的墙壁引入了来自不同方向的风。由于墓地位于风城新竹，这个风塔的设计和建造方法讲述了这座城市的故事和记忆。
Wall is an element that constructs distance. In this case, by tilting the walls at a different angle creates a visual of it gradually leaving the griever. These walls create a distance of departure, instead of separation. A rectangular entryway invites unpredictable climate, and slanted walls introduce wind from different directions. As the cemetery is located in Hsinchu, Wind City. The design and construction method, of this wind tower, tells stories and memories of the city.
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