▲Infinity Ground - Thailand and Taiwan Contemporary Architecture Exhibition 2023年曼谷艺术文化中心（Bangkok Art and Culture Centre, BACC）第一个建筑展览正式开幕。「大地无限：泰国台湾当代建筑展Infinity Ground - Thailand and Taiwan Contemporary Architecture Exhibition」由泰国暹罗皇家建筑师协会（The Association of Siamese Architects Under Royal Patronage）和驻泰国台北经济文化辧事处共同主办，并与泰国四所建筑知名院校，朱拉隆功大学建筑学院（Chulalongkorn University - Faculty of Architecture）、泰国先皇理工大学建筑艺术学院（King Mongkut's Institute of Technology Ladkrabang - School of Architecture, Art, and Design）、泰国国王科技大学建筑设计学院（King Mongkut’s University of Technology Thonburi - School of Architecture and Design）、泰国艺术大学建筑学院（Silpakorn University - Faculty of Architecture）等携手合作举办。 The first architectural exhibition at the Bangkok Art and Culture Center (BACC) in 2023 was officially opened. "Infinity Ground - Thailand and Taiwan Contemporary Architecture Exhibition" is organized by The Association of Siamese Architects Under Royal Patronage and Taipei Economic and Cultural Office in Thailand, in cooperation with Chulalongkorn University - Faculty of Architecture, King Mongkut's Institute of Technology Ladkrabang - School of Architecture, Art, and Design, King Mongkut’s University of Technology Thonburi - School of Architecture and Design, and Silpakorn University - Faculty of Architecture. 大地无限的首席策展人为Jenchieh Hung（洪人杰）和Kulthida Songkittipakdee，他们是泰国暹罗皇家建筑师协会展览主席与HAS Design and Research建筑事务所联合创始人、主持建筑师，并策画来自泰国与台湾八间建筑事务所参展，包括Architects 49 Limited（A49）、Arsomsilp Community and Environment Architect、Duangrit Bunnag Architect Limited（DBALP）、Department of ARCHITECTURE、立建筑工作所（Ambi Studio）、张玛龙陈玉霖联合建筑师事务所（MAYU architects）、Behet Bondzio Lin Architekten、屿山工房（Atelier Or） 。 The principal curators are Jenchieh Hung and Kulthida Songkittipakdee, who is the exhibition chairman of The Association of Siamese Architects Under Royal Patronage, and the co-founder and principal architect of HAS Design and Research. They curated eight architectural firms from Thailand and Taiwan to participate in the exhibition, including Architects 49 Limited (A49), Arsomsilp Community and Environment Architect, Duangrit Bunnag Architect Limited (DBALP), Department of ARCHITECTURE, Ambi Studio, MAYU architects, Behet Bondzio Lin Architekten, and Atelier Or. 这八间建筑事务所的参展作品分别在泰国曼谷、芭提雅（Pattaya）、巴吞他尼府（Pathum Thani）、龙仔厝府（Samut Sakhon）、那空叻差是玛府（Nakhon Ratchasima）、大城府（Phra Nakhon Si Ayutthaya）；以及台湾新竹、南投、云林、高雄、屏东、宜兰，可察觉到相异的文化背景、不同的气候条件和多样化的社会发展，间接或直接地表达建筑物如何响应大地特色，并透过捕捉城市与自然的景象，呈现人与万物共同生活的多元关系。 Among the eight architectural firms, their exhibited architectural works are in Bangkok, Pattaya, Pathum Thani, Samut Sakhon, Nakhon Ratchasima, and Phra Nakhon Si Ayutthaya in Thailand; and Hsinchu, Nantou, Yunlin, Kaohsiung, Pingtung, and Yilan in Taiwan, where different cultural backgrounds, different climatic conditions, and diverse social developments are indirectly or directly expressed in how the building responds to the characteristics of the ground. ▲Infinity Ground Architecture Museum, Bangkok, Thailand 泰国暹罗皇家建筑师协会展览主席Jenchieh Hung表示，“大地无限：泰国台湾当代建筑展”以大地作为连接自然万物的介面，在高低起伏的表面上，提供人、构筑物与自然环境相互依存的条件，并平衡着环境运作机制。早在一百多年前，德国地质学家阿尔弗雷德·魏格纳（Alfred Lothar Wegener）在《大陆与海洋的起源（The Origin of Continents and Oceans）》一书中，提出远古时代的地球是聚合为一块泛古陆（Pangaea）的庞大陆地，被泛大洋（Panthalassa）的水域包围，该大陆后来开始漂移分裂，形成现在的七大洲和五大洋的基本地貌。 Jenchieh Hung, the exhibition chairman of The Association of Siamese Architects Under Royal Patronage, told us: "Infinity Ground - Thailand and Taiwan Contemporary Architecture Exhibition” takes the earth as the interface, connecting all of nature as a background story. On the undulating surface, it provides conditions for the interdependence of people, buildings, and nature and balances the operating mechanisms of the environment. More than a century ago, German geologist Alfred Lothar Wegener wrote a book called The Origin of Continents and Oceans and explained that the earth is aggregated into a Pangea, surrounded by the waters of the Panthalassa, which later began to drift and split to form the basic landforms of the seven continents and five oceans. 展览延续大地漂移与聚合之变化视角，以“大地交换（Ground Exchanges）”与“穿梭大地（Feeling Grounds）”二个篇章呈现泰国与台湾当代建筑样貌，并将大地作为主题，体现人与自然的新生活方式：相处、仪式、本土、渗透、超凡、怀旧、地域、边界。 The exhibition continues the perspective of the “drift” and “aggregation” of the earth, presenting Thailand and Taiwan contemporary architecture in two chapters, "Ground Exchanges" and "Feeling Grounds", which show new human and nature lifestyles based on the common earth's ground: togetherness, ritual, native, porosity, extra-ordinary, nostalgic, vernacular, and boundaryless. ▲Ground Exchanges 在第一章“大地交换”的作品中，建筑师延续西方建筑学的建构方式，并结合东方地理环境因素，透过建筑强调特有的场所现象，体现大地丰富特质。包括，Architects 49 Limited的Velaa Sindhorn Village Langsuan（2019）和Singha D’luck Cinematic Theatre（2017），被架高的建筑提供大众交流的场所，其空间有如树丛被随意分散，透过光线与季风让建筑表皮产生独特效果。再者，Behet Bondzio Lin Architekten的新竹大坪顶纳骨塔永恒之丘（Eternal Hill Columbarium，2022）和屏东檐屋（House of Roofs，2016），建筑以堆叠的方式与底层连廊产生反差效果，不仅回应炎热多雨的气候关系，更展示具有神圣性的大地感受。 In the first chapter of "Ground Exchanges", the architect used modern construction methods to frame the unique site scenery and reflect the rich characteristics of the ground. Such as Architects 49 Limited's Velaa Sindhorn Village Langsuan (2019) and Singha D'luck Cinematic Theater (2017), the elevated buildings, provide a place for public communication. The space is like trees scattered randomly, and the light and monsoon make the building's skin have a unique effect. Furthermore, Behet Bondzio Lin Architekten’s Eternal Hill Columbarium (2022) and House of Roofs (2016), the designs responding to Taiwan's tropical and rainy climate, also show the sacred senses of the ground. 其三，在Duangrit Bunnag Architect Limited的The Glass Temple（2020）和Residence Prachachuen（2020）中，建筑赋予场所仪式性与永恒性的特征，结合周遭环境，强化大地无限的尺度感。最后张玛龙陈玉霖联合建筑师事务所的屏东县立图书馆总馆（Pingtung Public Library，2020）和高雄美国学校运动中心（Kaohsiung American School Athletic Complex，2016），纯粹的几何图形结合精巧设计的结构柱，让建筑成为大众交流的介面。在这四组建筑师的作品中，大地交换不仅呈现建筑与土地的多样性，其项目更展现未来生活的方式：相处（Togetherness）、仪式（Ritual）、本土（Native）与渗透（Porosity）。 Third, in Duangrit Bunnag Architect Limited's The Glass Temple (2020) and Residence Prachachuen (2020), the architecture endows the site with ceremonial and eternal features, combining with the surrounding environment to strengthen the sense of the infinite scale of the ground. Finally, in MAYU architects' Pingtung Public Library (2020) and Kaohsiung American School Athletic Complex (2016), the clean geometry combined with delicately designed structures made the architecture a new interface for humans and the environment. Among these four architecture firms' works, Ground Exchanges not only presents the diversity of architecture and land, but its projects also show the way of future living directions: togetherness, ritual, native, and porosity. ▲Feeling Grounds 在第二章“穿梭大地”的作品中，建筑师将东方地域文化作为设计探索，结合材料、工艺和构筑呈现出多维度的大地怀旧感知。首先，在Arsomsilp Community and Environment Architect的Puey Ungphakorn Centenary Hall（2019）和Tha Chalom Sky Boat Library（2022），建筑延续景观地表并结合功能属性，形成一个与大地和谐的微生态系统，而置入的空间有效激活原有环境接口，并唤起场所独特价值。其二，在立建筑工作所的云林湖山水库人文遗址馆（Hushan Reservoir Archaeological Exhibition Hall，2023）和南投毓绣美术馆（Yuhsiu Museum of Art，2015），建筑顺应着地形提供访客非比寻常的参观路径，在高低起伏的动线中，建筑材料与大地景观构成一幅动人的景象。 In the second chapter "Feeling Grounds", the architect takes the environment as a design solution and combines materials, craftsmanship, and tectonics to present a multi-dimensional sense of ground space. First of all, in Arsomsilp Community and Environment Architect's Puey Ungphakorn Centenary Hall (2019) and Tha Chalom Sky Boat Library (2022), the building continues the landscape surface and combines functional attributes to form a micro-ecological system that is harmonious with the ground, and the placed space effectively activates the original environmental interface and evokes the unique value of the place. Second, in Ambi Studio's Hushan Reservoir Archaeological Exhibition Hall (2023) and Yuhsiu Museum of Art (2015), the building conforms to the topography to provide visitors with an unusual viewing path. In the detour circulation, the materials and the environment create an impressive scene. 接着，Department of ARCHITECTURE的The Commons Thonglor（2016）和Sala Bang Pa-In（2021），细致的建筑工艺结合漂浮抬升的形式，一方面创造更多“底层灰空间”扰动室内外接口，另方面则对传统泰式房屋多功能“Tai toon”的呼应。其四，在屿山工房的新竹波光市集（Sparkling Market，2021）和新竹转运站风雨走廊（Pavilion for Hsinchu Bus Station Plaza，2018），细小且轻盈的结构柱，释放传统建筑在视觉的厚重束缚，从而让内外空间得到一体的连续性。在这四组建筑师的作品中， 穿梭大地赋予建筑在土地上的同理心，项目不仅展现建筑作为人与大地的接口，更提供对环境的反思：超凡（Extra-Ordinary）、怀旧（Nostalgia）、地域（Vernacular）与边界（Boundaryless）。 Then, The Commons Thonglor (2016) and Sala Bang Pa-In (2021) by the Department of ARCHITECTURE combined meticulous architectural craftmanship with floating and elevated forms to create more "ground gray spaces" to flow the indoor-outdoor interface, and they also reflected the multifunctional "Tai toon" of traditional Thai houses. Fourth, in Atelier Or's Sparkling Market (2021) and Pavilion for Hsinchu Bus Station Plaza (2018), the small and light structural columns release the heavy visual constraints of typical buildings so that the internal and external spaces can be integrated. Among these four architecture firms' works, Feeling Grounds endows the architecture with empathy for nature. The project not only shows the building as an interface between humans and the land but also provides reflections on the environment: extra-ordinary, nostalgic, vernacular, and boundaryless. ▲Infinity Ground Architecture Museum by HAS design and research 除此之外，展览空间以九个高低起伏的房子围合成一个天井聚落，它以开放且流动的空间布局，形成一个模糊又生动的展览空间；而连续且倾斜的坡屋面，不仅呈现多样的视觉效果，其自然光线区分暗与明两种空间场域，配合参展的八间建筑事务所，提供一处安静悠闲的僻所，让参展人与观展者重回大地无限感知。 In addition, the exhibition space is surrounded by nine undulating buildings in a courtyard settlement. Its open and flowing space layout forms a vague and vivid exhibition space, and the continuous and sloping roof not only presents various visual effects; its natural light distinguishes two kinds of space fields, dark and bright, and cooperates with the eight participating architectural firms to provide a quiet and leisurely retreat, allowing visitors to return to the senses of infinite ground. 首席策展人 Principal Curators ▲Jenchieh Hung, Kulthida Songkittipakdee HAS design and research Jenchieh Hung（洪人杰）与Kulthida Songkittipakdee，皆是泰国暹罗皇家建筑师协会会员、泰国暹罗皇家建筑师协会委员、《泰国暹罗皇家建筑师协会期刊》编委。他们共同创立HAS design and research建筑事务所、中泰建筑研究室（Chinese-Thai Research Studio），并任客座教授与设计评论教席于朱拉隆功大学建筑学院、泰国国王科技大学建筑设计学院、同济大学建筑与城市规划学院。Jenchieh Hung也被任命为泰国暹罗皇家建筑师协会展览主席，Kulthida Songkittipakdee则被任命为泰国暹罗皇家建筑师协会公共关系总监，他们也作为首席策展人于曼谷艺术文化中心执行“大地无限建筑展”。 HAS design and research was founded by Jenchieh Hung and Kulthida Songkittipakdee, and they explore Asia’s architectural language through a parallel “design research” approach. Hung And Songkittipakdee (HAS) has developed an international reputation by winning competitions; their work stands by synthesizing form, pattern, material, and technology into irreducible constructions. They have been widely recognized for their innovative work and have received awards and honors that include Thailand Prestige Award 2021, Designer of the Year Award 2019, Design Star Award 2018, as well as their inclusion into the Wallpaper* Architects’ Directory 2022. Hung And Songkittipakdee（HAS）作品涵盖展览设计、装置艺术、文化建筑、宗教寺庙等，擅长将材料与地域的敏感性结合在空间氛围中，揉合建筑与文化的边界，并创造具有精神性场所。代表项目包括佩提卡森艺术家工作室荣获英国《Wallpaper*》世界建筑师名录、林中空地获英国Dezeen杂志评为十大中国最美书店、泰国MoMA现代铝博物馆获选泰国威望大奖，并受邀刊登于《泰国暹罗皇家建筑师协会期刊》封面特辑，以及亚洲建筑师协会期刊（The Journal of the Architects Regional Council Asia）封面特辑。 Jenchieh Hung is also exhibition chairman of The Association of Siamese Architects Under Royal Patronage, as well as founding president of Chinese-Thai Research Studio, and Kulthida Songkittipakdee is public relations director of The Association of Siamese Architects Under Royal Patronage. They are the principal curators of “Infinity Ground Architecture Exhibition” at Bangkok Art and Culture Centre (BACC). Hung And Songkittipakdee have also been actively involved in academia as visiting professors and architecture design critics for Tongji University, as well as Chulalongkorn University and King Mongkut’s University of Technology Thonburi. They were also invited to serve as curators and critics for Thai contemporary architecture, executing a series of exhibitions, publications, and forums. ▲Infinity Ground Architecture Museum by HAS design and research 参展建筑师与作品 Participants and Works ▲Nithi Sthapitanonda, Prabhakorn Vadanyakul Architects 49 Limited (A49) Architects 49 Limited（A49）由Nithi Stapitanonda于1983年创立，目前在曼谷拥有200多名员工，并在普吉岛、清迈和孔敬设有办公室，其多元化的团队也在亚洲和中东地区完成许多项目。A49专注于具有鲜明特色的可持续性建筑，并以人为本的设计，在我们的工作流程中使用数据研究和最新的建筑技术，例如人工智能和机器学习，使事务所团队能实现各个设计目标。Prabhakorn Vadanyakul为A49总经理，他于朱拉隆功大学获得建筑学学士，并在华盛顿的美国天主教大学获得建筑学硕士。从那以后，他负责范围广泛的项目，并将A49扩展到阿拉伯联合酋长国和印度，增加了事务所工作的广度。 Architects 49 Limited (A49), established in 1983 by Nithi Sthapitanonda, currently has over 200 staff based in Bangkok, with regional offices in Phuket, Chiang Mai, and Khon Kaen. Our diverse team has delivered diverse projects both in Asia and the Middle East. Focusing on sustainable, human-centric designs with distinctive character, we use data along with the latest architectural and technical advances, such as Artificial Intelligence and Machine Learning, in our workflow, empowering our staff to achieve our design goals. Prabhakorn Vadanyakul, A49’s Managing Director, attained his Bachelor of Architecture degree from Chulalongkorn University, and a Master of Architecture from the Catholic University of America in Washington, DC. He has since been responsible for a wide range of projects. His work has also extended to the United Arab Emirates and India, adding breadth to A49’s portfolio of work. ▲Velaa Sindhorn Village Langsuan, Bangkok, Thailand ▲Singha D’luck Cinematic Theatre, Pattaya, Thailand ▲Yu-Han Michael Lin Behet Bondzio Lin Architekten 林友寒（Yu-Han Michael Lin），毕业于美国哈佛大学GSD，现为德国联邦建筑师协会（BAK）与德国建筑师协会（BDA）会员；在与Peter Wilson共事五年后，于 2003年与Martin Behet以及Roland Bondzio联合创立Behet Bondzio Lin Architekten。Behet Bondzio Lin Architekten是一间多元文化的建筑事务所，在德国Münster和Leipzig，以及台湾台北和台中皆设有事务所，目前于三万个德语建筑事务所中排名前 10 位。林友寒主要作品包括淡江教会文教中心、德国Textile Association NRW、德国Leipzig University in Augustus Platz、Paul Chiang art center、新竹大坪顶纳骨塔永恒之丘、2012年威尼斯双年展与导演蔡明亮合作的台湾馆。曾获德国新锐建筑师、台湾建筑奖、AIT 奖、台湾住宅建筑奖、德国城市设计BSP奖、German brick prize、德国建筑师协会奖、Fritz-Hoger砖奖等。 Yu-Han Michael Lin, Federal Chamber of German Architects (BAK), Association of German Architects (BDA), graduated from Harvard GSD, is an German Taiwanese architect. He established Behet Bondzio Lin Architekten with Martin Behet and Roland Bondzio in 2003 after working for five years with Peter Wilson. Behet Bondzio Lin Architekten is a multicultural architectural practice with offices in Münster and Leipzig Germany, Taipei and Taichung Taiwan and is currently raking top 10 practice amount 30,000 German speaking architecture offices. His major works include the Tamkang Church, Textile Association NRW, Leipzig University in Augustus Platz, Paul Chiang art center, City columbarium Hsinchu, Venice biannual 2012 Taiwanese pavilion with director Ming-Liang Tsai. He has been honored with Young German architects, Taiwanese architecture award, AIT award, Taiwanese housing award, German urban design BSP prize, German brick prize, BDA award, Fritz-Hoger Brick Prize. ▲Eternal Hill Columbarium, Hsinchu, Taiwan ▲House of Roofs, Pingtung, Taiwan ▲Duangrit Bunnag Duangrit Bunnag Architect Limited (DBALP) Duangrit Bunnag Architect Limited（DBALP）成立于 1998 年，当时是五人团队的小型建筑工作室，创始人为 Duangrit Bunnag和Architects 49 Limited。2000年，工作室进行重组，Duangrit成为公司的唯一股东，并重新注册为有限公司。20多年来，DBALP将建筑设计、室内设计和景观建筑设计作为一门具有凝聚力的学科，并一直对复合实践的设计工作有着浓厚兴趣。目前事务所拥有32名员工，并分为三个建筑师组、两个室内设计组和一个景观建筑师组，且所有行政管理均由内部负责，行政主管团队负责会计、财务和人力。 DBALP的实践以品牌价值为基础，并通过四点原则来理解：正直、责任、真实和传承。我们交付的实践项目，在功能上、经济上和美学上，皆获得本地和国际上的认可和奖项。这种方式在东南亚地区以及欧洲得到许多认可。直至今日，Duangrit Bunnag仍是公司的设计总监和总经理，他热情地亲自处理每个项目，以确保每个项目的完美。 Duangrit Bunnag Architect Limited of DBALP was founded in 1998 as a small architectural studio with 5 persons architect design team, founding shareholder by Duangrit Bunnag and Architects 49 Limited. In the year 2000, the studio was in a business re-structured and Duangrit has become the sole shareholder of the company and re-register as a company limited. For 20 years, DBALP has a strong interest to design work as an integrated practice of architectural design, interior design and landscape architectural design as a cohesive disciplines. With a number of staff at 32 personal at the time being, the practice is organized in agile design groups of three architects group, two interior design groups and one landscape architect group. All the administration is handled by Home Office Group with Officer Director team responsible for Accounting, Financial and HR. Our practice has been guided by our brand value, which can be understood through the following principles; Integrity, Responsibility, Authenticity, and Legacy. We believe in a practice that deliver. An architecture that works; functionally, economically and aesthetically. Years living in this principles emerging us through years of recognitions and awards, locally and internationally. The practice has been well recognized in the South East Asia region as well as Western European audiences. Until present, Duangrit Bunnag is still a design director and the managing director of the company and passionately work on each project personally to ensure the delivery of each project, large and small, with the integrity of the word given and expected. ▲The Glass Temple, Nakhon Ratchasima, Thailand ▲Residence Prachachuen, Bangkok, Thailand ▲Malone Chang, Yu-lin Chen MAYU architects 张玛龙陈玉霖联合建筑师事务所（MAYU architects）为张玛龙（Malone Chang）建筑师及陈玉霖（Yu-lin Chen）建筑师共同组成之设计团队，所址分别位于台湾高雄与台北，事务所由超过 90 余位高度跨领域的建筑师、景观建筑师、设计师、工程师及 LEED AP 所组成。我们重视建筑实践中的团队合作能量，与个别建筑作品的独特性及艺术性，跨领域的专业合作与实验性的创作启发在我们的建筑实践过程中齐头并行。 设计过程中，基地、涵构、时间、材料、技术、使用者、业主等各方持续对话。我们自许能结合理论论述及设计实践，融合创新与专业。事务所的作品广泛而多元，涵盖各种尺度及类型。除实际建筑案之外，我们亦持续参与国际竞图，常态性地与国外建筑师合作设计。本团队亦关注都市规画设计领域，实际参与或主持之都市景观规画与地区都市更新规划等。 MAYU architects, founded in 1999 as Malone Chang Architects and reorganized in 2010 by Malone Chang and Yu-lin Chen, is an interdisciplinary practice based in Kaohsiung, Taiwan. The scope of MAYU ’s works spans from large-scale civic projects to small-scale ones. The studio recognizes the importance of teamwork in the creation of architecture while maintaining the individuality and artistry of each project. Therefore an architectural approach balancing interdisciplinary cooperation and artistic inspiration is applied. The studio’s conception to a project avoids the presumption of fixed style and dogmatism, in favor of a dynamic and organic process. The dialogue between site, context, programs, time, materials, users, and clients constantly contributes to the forming of architecture. Organizational logic of physical buildings, holistic experience of spaces, and the changing characteristics of materials are priorities of the studio. Recently completed and ongoing projects include Da-Dong Arts Center, Kaohsiung American School, Tainan Main Library, Tainan Yuwen Library, ITRI Research Building, Tung-Men Holiness Church, and Taichung Flora Exposition Hall among others. MAYU is made up of a highly multidisciplinary staff of over 90 creative professionals. The team includes architects, engineers, interior designers, urban planners, landscape architects, and LEED Accredited Professionals. ▲Pingtung Public Library, Pingtung, Taiwan ▲Kaohsiung American School Athletic Complex, Kaohsiung, Taiwan ▲Theeraphon Niyom Arsomsilp Community and Environment Architect Arsomsilp Community and Environmental Architect是一间专业建筑事务所，旨在支持非营利性高等教育机构Arsomsilp Institute of the Arts的“工作中学习”和“变革性学习”的思考。它通过教育培养建筑师，使用有价值的方式联合起来影响社会变革的整体概念，并始终坚持以下四项原则（一）关注建筑真正有益于人类和环境的价值。（二）强调多方参与的开放式设计。（三）使用简易并直接的建筑方式，与自然融为一体。（四）在设计中采用当地传统和本土智能，像是热带和乡土建筑。 我们相信，建筑作品的价值和意义不仅限于物理和美学维度，它的真正价值在于它对生活的实用性，为用户、项目负责人、城市、社会和自然环境。因此，在实践中每个项目都强调它的自身背景，如房子周围真正的问题是什么？这个想法是建立明确的价值目标，以专注于所需的变革，以及利益相关者在社会、经济、环境和精神需求中，涉及各个维度有哪些共同要素，个人态度必须如何适应与改变。 Arsomsilp Community and Environmental Architect, the professional architecture studio established to support “work-based learning” for school of architecture of Arsomsilp Institute of the Arts, a non-profit institution of higher education established as a learning community committed to “transformative learning,” or developing architect through education using the holistic concept of joining together in a worthwhile way to effect societal change, always holding fast to these four architectural principles: (1) Focus on the value architecture has for being truly beneficial to humanity and the environment. (2) Stress design that grows from participation of all parties concerned. (3) Use uncomplicated, straightforward architecture, at one with nature. (4) Utilize local tradition and Thai knowledge and wisdom in design (think: tropical and vernacular architecture). We believe that the value and meaning of architectural work is not limited to physical and aesthetic dimensions, but that its true value lies in its utility for life, producing benefits for the user, the project lead, the community, and ultimately for society and the natural environment. In practice every project, therefore, stresses reading and getting to understand the background context of each project. What are the real issues surrounding a house? The idea is to specify the challenges and set up clear basic value objectives to focus on needed change. What are shared elements in various dimensions involved in the social, economic, environmental, and spiritual needs of stakeholders, and how must individual attitudes change? ▲Puey Ungphakorn Centenary Hall, Pathum Thani, Thailand ▲Tha Chalom Sky Boat Library, Samut Sakhon, Thailand ▲Wei-Li Liao Ambi Studio 廖伟立（Wei-Li Liao）战后出生于台湾中西部滨海小镇通霄镇，并于1999年在美国南加州建筑学院（SCI-Arc）取得建筑学硕士学位，2001年在台中成立：立建筑工作所（Ambi Studio）。由故乡通霄成长的记忆及常年对台湾地景、人文、社会及常民生活驳杂能量的观察与反省，成为建筑创作灵感的泉源。廖伟立的建筑作品主要分布于台湾中、西部地区，以人行步桥、教堂、美术馆等系列闻名。代表作有桃园东眼山公厕、彰化王功景观桥、云林北港天空之桥及女儿桥、故宫南院览月桥、台中救恩之光教会、宜兰礁溪长老教会、台南德光长老教会、南投毓绣美术馆、云林湖山水库人文遗址馆。 廖伟立以敬畏和感恩的态度对待世界，诚恳地对待“生活”中碰到的人、事、物，并使自己觉知“生命”的意义，企图努力找到自己的建筑“信仰”。廖伟立透过苗栗通霄童年记忆及常年对台湾地景、人文、常民驳杂生活的观察与反省形成自己独特的建筑观，并将此意识与理解扩展到世界及自然的连结，试图思考与行动，寻找台湾建筑的文化意义。廖伟立以台湾文化为切入点，通过观察与反思，发现台湾常民生活的生机与活力及对海洋岛国特有的生猛能量的吸纳。将这一切汇集在一起，对现代主义的怀疑与修正，企图展现台湾地域独特的生活美学，正如同廖伟立所说：「如何使自己的建筑呈现出地域的特色，同时具有寰宇的宽阔视野，是我今生奋斗的目标。」 Born in Taiwan and educated in the United States, Wei-Li Liao received his Master in Architecture from Southern California Institute of Architecture (SCI-Arc), and founded Ambi Studio in 2001. Growing up in Tongxiao Township, Miaoli County, thanks to the artistically subtle childhood memories in Tongxiao that all the memory fragments come back and become a source of creative inspiration. Mr. Liao's architectures are mainly located in the Midwest of Taiwan, known for his Bridge, Church and Art Museum series. The representative works include the Dongyanshan Public Toilet in Taoyuan, the Wang Gong Footbridge in Changhua, the Sky Bridge in Beigang, The Light of Christ's Salvation Church in Taichung, the Jiaoxi Presbyterian Church, the Tainan De-guang Presbyterian Church, and the Yuhsiu Museum of Art in Nantou. Treating the world with reverence and gratitude, as he has always been committed to being sincerely facing people, events, and objects in life with understanding and emotion, which allows him to realize the meaning of his life, and discover his architectural faith. The childhood memory in Tongxiao, Miaoli is the key to establishing his architectural view, and expanding the awareness to the world and nature, attempting to think and act on how to awake the cultural meaning of architecture in Taiwan. He takes marginal culture in Taiwan as a starting point, through observing and reflecting, he discovered the vibrancy and vigor of Taiwan's ordinary people's life and the flexibility endowed by oceanic island. All of these come together to form an unbreakable power of opposing international styles and preserving Taiwan 's authenticity. As he said, “I would like to dedicate my whole life to find out how to better present traditional regional characteristics in my architecture under an international perspective.” ▲Hushan Reservoir Archaeological Exhibition Hall, Yunlin, Taiwan ▲Yuhsiu Museum of Art, Nantou, Taiwan ▲Jiaoxi Presbyterian Church, Yilan, Taiwan ▲Amata Luphaiboon, Twitee Vajrabhaya Teparkum Department of ARCHITECTURE Department of ARCHITECTURE Co.是一家位于泰国曼谷的建筑事务所，由Amata Luphaiboon和Twitee Vajrabhaya Teparkum于 2004 年创立。它在广泛的功能和要求中实践建筑、室内、景观和其他相关设计专业。Department of ARCHITECTURE Co.的设计方法不仅包括建筑形态，还包括人与相关感知互动，该实践方式通过探索形态外，并透过空间语汇来寻找建筑的新可能性。 Department of ARCHITECTURE Co. is a design studio based in Bangkok, Thailand; founded by Amata Luphaiboon and Twitee Vajrabhaya Teparkum in 2004. It practices architecture, interior architecture, landscape, and other related design disciplines in a broad range of programmatic requirements and scales. The studio’s design approach encompasses not only the tangible aspects of architecture, but also the conceptual framework upon which individuals interact. The practice is interested in finding new possibilities for architecture by exploring beyond the surface and designing an underlying foundation that forms the basis for the physical spaces. ▲The Commons Thonglor, Bangkok, Thailand ▲Sala Bang Pa-In, Phra Nakhon Si Ayutthaya, Thailand ▲Sheng-Feng Lin Atelier Or 林圣峰（Sheng-Feng Lin）为构筑实践者和策展人，他获得美国葛兰布鲁克艺术学院建筑学硕士学位，现任实践大学建筑设计学系副教授，亦是屿山工房（Atelier Or）的创始人。2014年在台东美术馆展出的户外大地艺术装置「浮光The Memory of 80's」获得广泛关注，2018年新竹幸福广场获得台湾景观大赏杰出奖，以及实践大学民生学院教学大楼及学务大楼建筑更新获台湾建筑奖佳作奖，2022年新竹波光市集获得日本Good Design Award。林圣峰设计的空间经常投射出一种“原型”的诗意氛围，并融合不同的材料。 屿山工房成立于2011年，其工作涉及建筑设计、构造创作、展览设计等。屿山工房专注于构造方法的实验设计，以及几何秩序的推敲。他们的作品被视为抽象和纯粹的表现，身体与环境之间以诗意方式进行的对话。近期项目包括，新竹波光市集、国立历史博物馆修复及再利用、新竹人行天桥、台东美术馆户外景观艺术装置浮光等。 An architect and curator, Sheng-Feng Lin received his Master of Architecture from Cranbrook Academy of Art. He is currently an associate professor at the Department of Architecture, Shih Chien University, and the founder of Atelier Or. Lin garnered wide attention for his outdoor land art installation, The Memory of 80’s, presented at Taitung Art Museum in 2014. In 2018, he received the Outstanding Awards of TILA Landscape Awards for the Happiness Plaza in Hsinchu, and Honorable Mention of Taiwan Architecture Awards for Shih Chien University Campus Renovation; In 2022, he received the Japan’s Good Design Award for the Sparkling Market at Nanliao Fishing Harbor, Hsinchu. The spaces designed by Lin often project a “prototypical” poetic ambiance, with different materials effortlessly incorporated. Atelier Or was founded in 2011. Its work involves architectural design, tectonic creation, exhibition design, etc. Atelier Or focuses on experimental design with tectonic approach, and the derivation of geometric order. Their works constantly seen as the representation of abstract and purity, and harmonious dialogue between body and environment in a poetic manner. The current and recently completed projects includes: Sparkling Market in Hsinchu, Renovation of National Museum of History, Pedestrian Overhead Bridge in Hsinchu, outdoor landscape art installation at Taitung Art Museum, etc. ▲Sparkling Market, Hsinchu, Taiwan ▲Pavilion for Hsinchu Bus Station Plaza, Hsinchu, Taiwan 展览名称：大地无限 - 泰国台湾当代建筑展 主办：泰国暹罗皇家建筑师协会、驻泰国台北经济文化辧事处、朱拉隆功大学建筑学院、泰国先皇理工大学建筑艺术学院、泰国国王科技大学建筑设计学院、泰国艺术大学建筑学院 协办：HAS design and research建筑事务所、曼谷艺术文化中心、art4d、台湾现代建筑学会 首席策展人：Jenchieh Hung（洪人杰）、Kulthida Songkittipakdee 参展单位：Architects 49 Limited、Behet Bondzio Lin Architekten、Duangrit Bunnag Architect Limited、张玛龙陈玉霖联合建筑师事务所、Arsomsilp Community and Environment Architect、立建筑工作所、Department of ARCHITECTURE、屿山工房 空间设计：HAS design and research建筑事务所 支持：Alufence、Canon Thailand、Jorakay、Saint-Gobain Thailand、RichCons、FloraScape、Zdecor 地点：泰国 ? 曼谷艺术文化中心 Title：Infinity Ground - Thailand and Taiwan Contemporary Architecture Exhibition Hosts：The Association of Siamese Architects Under Royal Patronage; Taipei Economic and Cultural Office in Thailand; Chulalongkorn University - Faculty of Architecture; King Mongkut's Institute of Technology Ladkrabang - School of Architecture, Art, and Design; King Mongkut’s University of Technology Thonburi - School of Architecture and Design; Silpakorn University - Faculty of Architecture Co-Organizers：HAS design and research, Bangkok Art and Culture Centre, art4d, Alliance for Architectural Modernity Taiwan Principal Curators：Jenchieh Hung, Kulthida Songkittipakdee Participants：Architects 49 Limited, Behet Bondzio Lin Architekten, Duangrit Bunnag Architect Limited, MAYU architects, Arsomsilp Community and Environment Architect, Ambi Studio, Department of ARCHITECTURE, Atelier Or Space Design：HAS design and research Supporters：Alufence, Canon Thailand, Jorakay, Saint-Gobain Thailand, RichCons, FloraScape, Zdecor Venue：Bangkok Art and Culture Centre, Bangkok, Thailand
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