博物馆的前庭花园
The Museum's Front Garden
与建筑师ARM和澳大利亚种植设计师专家保罗汤普森合作的一个项目,庆祝澳大利亚的文化、社会和环境历史。
A project in collaboration with architects ARM and Australian planting designer expert Paul Thompson celebrates Australian cultural, social and environmental history.
博物馆花园
Museum garden
前院包含一系列身临其境的、信息丰富的、聚集的和感官的空间,包括一个由澳大利亚本土植物组成的 "马赛克花园",适合堪培拉干热的夏季和寒冷的冬季而充满挑战性环境。
花园的无定形形式的灵感来自于原住民火棍耕作,其中马赛克图案是由间歇性低强度燃烧形成的。
The forecourt contains a series of immersive, informative, gathering and sensory spaces including a ‘Mosaic Garden’ of Australian native plantings suitable for the challenging Canberra environment of hot dry summers and cold, frosty winters.
The amorphic forms of the garden are inspired by the Aboriginal practice of Fire Stick Farming where mosaic patterns are formed from intermittent low intensity burning.
花园一角
Garden corner
花园内的元素包括草坪区、小型聚会空间、由当地石柱组成的圆形剧场、蛇形路径、涂黑的木材座椅和高架花园床。
Elements within the garden include lawn areas, small gathering spaces, an amphitheatre of local stone plinths, serpentine paths, blackened timber seating and raised garden beds.
与场地进行互动的儿童
Children interacting with the site
一个大型活动空间为许多不同的博物馆活动提供了场所。
A large event space provides a venue for many and varied museum functions.
活动空间
Activity space
多样的互动性的花园
A Variety of Interactive Gardens
"Welcome to Country "的序列开始于前院的入口处,其中有一个由当地原住民艺术家雕刻的当地砂岩花园。
一些雕刻在低处或隐藏起来,因此寻找它们是一件很有趣的事情,尤其是对儿童来说。
A ‘Welcome to Country’ sequence begins at the forecourt’s entrance with a garden of local sandstones featuring carvings by local First Nations artists.
Some carvings are low down or hidden so there’s joy in searching for them, especially for children.
有趣而隐藏的雕塑
Interesting and hidden sculpture
花园的中心是一块烟雾仪式的石头,它有一个碗状的空腔,周围的铺面嵌有闪烁的LED灯,形成了抽象的星座效果。
In the garden’s centre is a smoking-ceremony stone with a bowl-shaped cavity surrounded by paving embedded with twinkling LED lights that form an abstract constellation effect.
互动式"Welcome Wall "
Interactive "Welcome Wall"
一面引人入胜的互动式70米长的不锈钢反光弧形 "Welcome Wall "将游客引向博物馆,而鹅卵石路上的标记牌则指向重要的原住民遗址。
An arresting and interactive 70 metre ‘Welcome Wall’ of reflective curved stainless steel leads visitors towards the Museum, while marker plaques on the cobbled path point towards significant Aboriginal sites.
互动式"Welcome Wall "
Interactive "Welcome Wall"
花园植物的精心维护
Careful Maintenance of Garden Plants
TCL一直非常积极并成功的维持着花园的持续性,迄今为止,包括为每种植物创建详细的维护文件,以及博物馆承诺每两年进行一次访问,都是为了确保设计意图和花园的持续护理是高标准的。
TCL have been very proactive in ensuring the on-going success of garden and to date this has included the creation of a detailed maintenance document for each plant species, as well as the Museum committing to bi-yearly visits to ensure that the design intent and ongoing care of the garden is of a high standard.
花园里的植物
Garden plants
TCL还协助博物馆制作了一本关于整个前院和其中植物的小册子和在线信息。
TCL also assisted the Museum with the creation of a brochure and on- line information on the forecourt as a whole and the plantings within it.
花园里的植物
Garden plants
前院现在将博物馆吞没在景观中,而不是它所取代的铺路。
它不仅仅是一条通往建筑的路线,本身也是一个目的地--一个可供人们漫步、坐下、学习、休息或玩耍的吸引人的环境。
The forecourt now engulfs the Museum in landscape, rather than the paving that it replaces.
More than a route to the building, it is a destination in itself – an engaging environment to meander, sit, learn, rest, or play.
花园里的植物
Garden plants
项目信息
客户名称:澳大利亚国家博物馆
地点:澳大利亚首都特区堪培拉
规模:5,300平方米
建筑师:ARM架构
种植:Paul Thompson
艺术家:Ngunnawal、Ngunawal 和 Ngambri艺术家Wally Bell、Selina Walker、Adrian Brown、Karen Bell、Matilda House、Uncle Jim、Louise Brown和Arnold Williams
灯光:萤火虫视角 (FPoV)
Client Name:National Museum of Australia
Location:Canberra, Australian Capital Territory
Scale:5,300 sqm
Architect:ARM Architecture
Planting:Paul Thompson
Artists:Ngunnawal, Ngunawal, and Ngambri artists Wally Bell, Selina Walker, Adrian Brown, Karen Bell, Matilda House, Uncle Jim, Louise Brown, and Arnold Williams
Lighting:Firefly Point of View (FPoV)
素材来源:annestroud.com.au、TCL,由园景人转译
网址:http://www.cnlandscaper.com
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