在海牙的Wijnhavenkwartier，位于中央车站和Spui之间，毗邻新的外交部，在2007年Zwarte Madonna住宅楼被拆除的地方，矗立着De Kroon，一座131米的高层住宅楼，包括办公和商业空间。
该地区三面都是重要的交通干线：Turfmarkt，从中央车站到海牙中心的重要步行区；Schedeldoekshaven，汽车、公共汽车和有轨电车的重要交通连接；Lage Zand也是一条有轨电车线路。建筑设计的基本原则是基于美国早期摩天大楼的情节设置。该建筑的一个重要参考是18世纪末和19世纪初芝加哥的早期高层建筑类型。
In The Hague’s Wijnhavenkwartier, situated between Central Station and the Spui, next to the new Ministries of Foreign Affairs, on the spot wherein 2007 the Zwarte Madonna residential building was torn down, stand De Kr
oon, a 131m high rise residential tower including office- and commercial space. The area is bounded on three sides by important traffic arteries: the Turfmarkt, an important pedestrian precinct from Central Station to the center of The Hague, the Schedeldoekshaven, an important traffic connection for cars, busses and trams and the Lage Zand also a tramline. The basic principles of the building design are based on the plot settings of the early American skyscrapers. An important reference for the building was the early high-rise typology of the end of the 18th and beginning of the 19th century in Chicago.
办公楼和住宅楼在一个商业基座上彼此毗邻。这座23米高的办公大楼，围绕着中庭大厅，从Turfmakrt一直延伸到Schedeldoekshaven。毗邻它的住宅塔楼覆盖了253套公寓:几乎全部是角落公寓，可通过内部走廊进入。塔楼的后退与相邻建筑的高度相适应，并保证街道上有足够的日光。同样，最终的挫折标志着从社会住房向上层私人财产住房的转变。
The office- and residential buildings are located next to each other on a commercial plinth. The 23m high office building, organized around an atrium hall, stretches continuously from Turfmakrt to Schedeldoekshaven. Adjoining on to it arises the residential tower covering 253 apartments: almost exclusively corner apartments, accessible by an interior corridor. The setbacks of the tower fit in with the height of the adjoining buildings and guarantee sufficient daylight on street level. Likewise, the ultimate setback marks the switch from social housing to upper private property housing.
与公寓的高度相适应，采用了不同的窗户类型。低层有薄薄的法式阳台，面向城市街道生活。在30米以上的高度，与街道的联系消失了，公寓有较大的窗户。在高层，尽管有强风的影响，但凸窗使室外空间成为可能。由于外墙几乎完全由玻璃制成，居民可以完美地享受风景。不同的窗户类型被整合到水平和垂直的混凝土结构元素的砾石中。绿色火焰花岗岩的水平护栏和垂直侧线以一种俏皮的方式使立面充满活力。
Appropriate to the height of the apartments different window types are applied. The lower levels have thin French balconies, orientated on the urban street life. Above 30m height contact with the street disappears and apartments have larger windows. On the upper levels, bay windows enable outdoor spaces, despite the impact of strong wind. Due to the almost completely vitrified fa?ade, inhabitants can perfectly enjoy the view. The different window types are integrated into the grit of horizontal and vertical structural concrete elements. Horizontal parapets and vertical laterals of green flamed granite vitalize the fa?ade in a playful manner.
在基座上，绿色花岗岩继续，并与黄铜窗框结合。住宅塔楼的顶部是顶层公寓和技术设备。建筑的顶部是一个开放的顶冠结构，在夜间被照亮。通过其独特的折返和立面元素的组合，体量与周围环境完美契合。
In the plinth, the green granite continues and is combined with brass window frames. At the top of the residential tower penthouses and technical equipment are located. The top of the building is accentuated by an open crown structure that is illuminated at night. Through its unique combination of setbacks and facade elements, the volume fits perfectly into its surrounding.
混凝土走廊墙和毗邻的横墙与苗条体量的稳定支柱一起形成。因此，建筑的末端不受其稳定效果的影响，增加了透明度，并提供了横跨海牙屋顶的全景。在建造过程中必须遵守的限制，导致了非常准时的建筑物流和预制混凝土立面元素的选择。典型的节理被元素的塑性和构造接合所隐藏。Verde savannah是一种来自巴西的绿色花岗岩，使用喷砂混凝土元素的有色添加剂来增强其色调。
The concrete corridor walls and the adjoining cross walls form together with the stable backbone of the slim volume. The end sides of the building are thus freed from their stabilizing effects, contributing to transparency and giving a panoramic view across the roofs of The Hague. The restrictions that had to be complied with during the building process, lead to extremely punctual building logistics and the choice for prefabricated concrete fa?ade elements. The typical joints are hidden from view by the plastic and tectonic articulation of the elements. The use of Verde Savanna, a greenish granite from Brazil, tones in with the colored additives of the sandblasted concrete elements.
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