土木在线论坛 \ 园林景观 \ 园林景观实景 \ 第11届“城市中的雕塑”艺术展在伦敦开幕年度雕塑公园回归，20件艺术作品向公众免费展出

第11届“城市中的雕塑”艺术展在伦敦开幕年度雕塑公园回归，20件艺术作品向公众免费展出

发布于：2022-07-06 11:42:06 来自：园林景观/园林景观实景 [复制转发]

“城市中的雕塑”（Sculpture in the City）是由伦敦市政府举办的一年一度的当代艺术展。今年是该展览举办的第11年，已于6月22日正式开幕。本次展出的20件作品中，除了由11位当代艺术家创作的最新作品之外，还有第十届展览中的6件雕塑作品，以及两件永久展品。

这项户外公共艺术展览向公众免费开放，每件作品都与其所在的复杂城市环境建立了联系与对话。有知名和新兴艺术家创作的艺术品以不同的形式、媒介和规模呈现，为参观者带来体验和接触世界级当代公共艺术的机会。

Sculpture in the City, the annual exhibition of contemporary art placed among the striking architecture of the City of London, launches its 11th edition on 22 June 2022. New works on show from eleven contemporary artists will be joined by six sculptures that remain in situ from the 10th edition alongside two permanent acquisitions.

This free, outdoor public art exhibition showcases works by established and emerging artists, with each piece selected for its ability to create a relationship and dialogue with the complex urban environment of the Square Mile. Comprised of different forms, mediums and sizes, the 11th edition of Sculpture in the City provides an opportunity to experience and engage with world-class contemporary public art.

▼部分作品一览，Preview of the exhibition ? Nick Turpin

作品介绍
The Artworks

01.
Miss
作者 | Artist: Emma Louise Moore

由卡拉拉大理石制成的雕塑，在阳光的照射下呈现出一种半透明的质感，让时间的流逝变得有形。街角的环境带来变化的光线和阴影，使雕塑在特定的时间散发光芒。

Carved from Carrara marble, Miss, 2021, by Emma Louise Moore becomes translucent when penetrated by the sun, making the passing of time tangible. Sited on the corner of 99 Bishopsgate and Wormwood Street, the surroundings create passing shadows and moments of inactivity, so that the illumination of the work is ephemeral, with its activation by the sun a momentary phenomenon.

? Nick Turpin

02.& 03.
Nests
作者 | Artist: Victor Seaward

果实造型的雕塑，承载了观赏物和鸟巢的双重功能。该作品由搪瓷和环氧树脂制成，分别悬挂于Bishopsgate 99号和Aldgate广场的树枝上。根据RSPB的指导政策，它们将为鸟类提供安全和舒适的筑巢环境。

Victor Seaward’s Nests, 2022, takes the form of imagined phantasmagorical fruits that function simultaneously as aesthetic sculptures and functional bird nests. Made from enamel and epoxy resin on 3D printed PETG, the sculptures hang on trees outside 99 Bishopsgate as well as Aldgate Square, next to The Aldgate School, and in accordance with RSPB guidelines, offer a safe and comfortable environment for birds nesting.

? Nick Turpin

04.
Burial
作者 | Artist: Alice Channer

该作品位于St Botolph-without-Bishopsgate的教堂院子里，曾在第10届展览展出。两块被“拉伸”的耐候钢岩石是从由拆迁现场回收而来的混凝土块拓成，展现了时光的流转。

Within the churchyard of St Botolph-without-Bishopsgate, is Alice Channer’s work Burial, 2016. Initially shown as part of the 10th edition, the work highlights the variations of time, with two ‘stretched’ Corten Streel rocks cast from concrete pieces collected from demolition sites across London.

? Nick Turpin

05.
Rough Neck Business
作者 | Artist: Mike Ballard

该作品同样出自第10届展览，它的造型取自链条中的两个环节，由来自伦敦各地的临时围墙拆取而来，过去与未来元素的结合突显了城市的流动性与再生能力。

A short walk away at 100 Bishopsgate, Mike Ballard’s Rough Neck Business, 2019, also remains on show from the 10th edition. Symbolising the fluidity and regeneration of the city, two links of a chain, fashioned from hoardings sourced from sites across London, this artwork represent the past and future respectively.

? Nick Turpin

06.
summer moon
作者 | Artist: Ugo Rondinone

该作品是一个长期树木雕塑系列的一部分，位于圣海伦教堂旁边。涂有铝质覆层的古老橄榄树展现出鲜明的白色躯体，既是对真实树木的细致还原，又是一个明确存在的人造实体。流离失所的枯朽树干传达出孤独的意象，它同时讲述了生命和死亡，以及自然与人造物之间不可逾越的鸿沟。

Ugo Rondinone’s summer moon, 2011, belongs to a long-running sculpture series of trees. Located on Undershaft, next to St Helen’s Church, the stark white form of this ancient olive tree in painted aluminium is both a meticulous recreation of a real tree and an avowedly artificial object. In its solitary, displaced and denuded appearance, the work speaks dually of life and death, the unbridgeable gulf between nature and artifice. As Ugo Rondinone explained in 2006, “Through a cast olive tree you can not only experience the lapse of real time, that is lived time, frozen in its given form, but through this transformation also a different calibrated temporality. Time can be experienced as a lived abstraction, where the shape is formed by the accumulation of time and wind force.”

? Steve White, courtesy Sadie Coles HQ, London

07.
Sandwich
作者 | Artist: Sarah Lucas

该雕塑以一种戏谑的方式对“三明治”这种平民食物进行了兼具讽刺和赞美意味的重新诠释。混凝土材料颠覆了物品本身的平凡性，从而产生出一种“不敬的”幽默感。

Close by, at 22 Bishopsgate, Crosby Square, is Sarah Lucas’s large-scale sculpture, Sandwich, 2011-2020. Its horizontal configuration simultaneously satirises and celebrates the commonplace foodstuff as a proletariat symbol. While the austerity of the work in concrete elevates and inverts the object’s ordinariness with irreverent humour.

? Nick Turpin

08.
Cosmos
作者 | Artist: Eva Rothschild

第10届展览作品。由三块3.5米高的板条结构组成的雕塑。它们相互倚靠，相互支撑，引发了物理和审美上的双重反应。观众会不由自主地在作品与建筑周围穿行。

Eva Rothschild’s work, Cosmos, 2018, is composed of three 3.5m high slatted structures leaning into and supporting each other. Unveiled as part of the 10th series, and sited on Undershaft, between Aviva and The Leadenhall Building, this work elicits a physical and aesthetic response, necessitating the viewer to walk around the work and the architectural surroundings.

? Nick Turpin

09.
In Loving Memory
作者 | Artist: Oliver Bragg

第10届展览作品。刻有文字的长椅金属牌，分布在7个不同的位置。具有幽默感和启示性的文字仿照纪念碑的形式，向具体的人物地点或抽象的想法表达了敬意。

Oliver Bragg’s work In Loving Memory, 2020, also appeared in the 10th series, mimicking memorial plaques that pay homage to persons, places or abstract ideas. Ten engraved bench plaques range from the optimistic to the revelatory, often relying on humour. Featured in seven locations, including Undershaft, next to St Helen’s Church; Jubilee Gardens and Fen Court Garden, they have recently been acquired by Sculpture in the City.

? Nick Turpin