过去的建筑或有限的平方英尺有时会妨碍翻修，但在凯萨里亚尼福米诺斯街的这间特殊公寓中却没有。对于室内设计师兼 EC 室内设计负责人 Evelyn Chatzigoula，其 50 平方米。其源自 1970 年代的设计理念是创新和功能性重新设计的驱动力。“从一开始，我的目标就是突出和尊重公寓的核心建筑元素，以及它所指的时期，以更现代的眼光看待它，”她指出。
The architecture of the past or the limited square footage can sometimes stand in the way of a renovation, but not in this particular apartment on Formionos Street in Kaisariani. For the interior designer and head of the EC Interiors, Evelyn Chatzigoula, its 50 sq.m. and its design philosophy, coming from the 1970’s, were the driving force for a creative and functional redesign. “From the very beginning, my goal was to highlight and respect the core architectural elements of the apartment, as well as the period to which it refers, seeing it through a more modern gaze,” she points out.
公寓由入口区、客厅、厨房、卧室和小浴室组成。布局保持不变，将大厅与卧室连接起来，原来那里有一扇推拉门。“我们将其移除并用拱形代替它，以提供一种开放感，同时利用参考那个时期的建筑元素”，伊夫林解释道。
The apartment consists of an entrance area, a living room, a kitchen, a bedroom and a small bathroom. The layout was maintained with a single intervention made in connecting the hall with the bedroom, where there was originally a sliding door. “We removed it and replaced it with an arch in order to provide a sense of openness while at the same time utilising an architectural element with references to that period”, Evelyn explains.
这项研究的主要关注点是马赛克地板的暴露和修复，它已经被瓷砖覆盖了。
The principal concern of the study was the revealing and repair of the mosaic floor, which had been covered with tiles.
起居室是一个以平静感为主的空间，这种平静感源于其调色板——破碎的白色色调——但也源于其装饰身份，指的是斯堪的纳维亚设计的清晰和简洁。同时，起居室作为客房，配有封闭的衣柜——以及开放的书柜——以及打开形成一张床的沙发。
The living room is a space dominated by the sense of calm that results from its colour palette –shades of broken white– but also by its decorative identity that refers to the clarity and simplicity of the Scandinavian design. At the same time, provisions were made for the living room to function as a guest room with a closed wardrobe –along with the open bookcase– as well as the sofa that opens to form a bed.
柔和的鲑鱼色调给厨房带来平静感和必要的亮度。“这个空间由已经在那里的大理石水槽主导。出于功能原因，我们将它从原来的位置移开——它最初位于窗户下方——最终使它与大理石墙板和柜台融为一体，使其脱颖而出”，Evelyn 解释道。
The soft salmon hue gives the kitchen a sense of calm and the necessary brightness. “This space is dominated by the marble sink that was already there. For functional reasons, we shifted it from its place –it was originally located under the window– something that ultimately made it stand out as it got integrated with the marble wall plate and the counter”, Evelyn elaborates.
在卧室里，墙壁上的深绿色及其与木材和大地色调的结合正在抢尽风头。一个平衡且同时充满活力的构图，在大厅的浅灰色处“安静下来”，但在浴室中继续存在，尽管优先考虑由马赛克地板引发的黑白对话。“我们不仅在地板上使用压制水泥砂浆和马赛克，还在水槽的特殊结构中使用，充分利用了浴室的长度”，伊夫林描述道，并补充道。
“在这所房子的某些时候，有些人必须经历过快乐的时刻、重大的事件、艰难的经历。他们一定过着这样的生活。因此，每个空间都有它的重要性，也隐藏着一个不同的故事，我们必须通过我们所做的每一次干预来尊重和强调它。”
In the bedroom the dark green on the wall and its combination with wood and earth tones is stealing the show. A balanced and at the same time dynamic composition that “quiets down” at the light grey of the hall, but continues in the bathroom, although granting priority to the black and white dialogue triggered by the mosaic floor. “We used pressed cement mortar and mosaic not only on the floor but also in the special construction of the sink, which takes full advantage of the length of the bathroom”, describes Evelyn, adding “in this house at some point, some people must have lived through happy moments, major events, hard experiences. They must have lived a life. Therefore, each space holds its importance, and also hides a different story, which we must respect and highlight through each and every intervention we make”.
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