“漂浮”的博物馆——外墙由9米高，2吨重，475根“玻璃管”组成

博物馆的建筑是在维多利亚码头开始建设的同时设计的，是由其独特环境的挑战所驱动的。

它坐落在K11艺术购物中心的顶部，下面是十几层的豪华海滨住宅。博物馆将原本设计为零售和餐饮的平台顶层两层与宽敞的屋顶雕塑平台结合在一起，以中国香港壮丽的天际线为背景。

The architecture of the museum, designed at the same time construction on the Victoria Dockside began, is driven by the challenges of its unique setting: It rests atop a K11 Art Mall and below a dozen floors of luxury waterfront residences. The museum combines the top two floors of the podium, originally designed for retail and further food and beverage, with a generous rooftop sculpture terrace that boasts the magnificent skyline of Hong Kong as its backdrop.

虽然玻璃被认为是一种相当传统的建筑材料，但它在我们对项目背景的非常规反应中扮演了重要的角色：一个位于混合使用环境中并毗邻商业空间的博物馆。

Though glass is considered a fairly conventional building material, it plays a significant role in our unconventional response to the project context: a museum that sits in a mix-used environment and adjacent to commercial spaces.

通常情况下，博物馆是一个封闭的体量，避免了与周围超城市环境的接触。我们的设计只是简单地采用透明的方式，将博物馆牵扯到其商业化的城市空间中。

Typically, museums are closed volumes that avoid engagement with their often hyper-urban surroundings. Our design simply embraces transparency to implicate the museum within its commercialized city space.

漂浮的博物馆被475根玻璃管组成的外墙所包围，每根玻璃管高9米，直径1米，重达2吨。

从街道上看，玻璃的雕塑纪念碑和视觉变形创造了一种抽象的感觉，使博物馆从密集的城市环境中脱颖而出。

近距离看，玻璃让参观者清楚地看到里面的内容，并引入了有趣的反射和光线阵列。巨大的透明度为参观者提供了喘息的机会，当他们从下面的喧嚣中赶来时。

The floating museum is enveloped by a facade of 475 glass tubes, each nine meters tall and one meter in diameter, and weighing two tons. From the street, the sculptural monumentality and visual distortion of the glass create an abstraction that distinguishes the museum from its densely urban context. Up close, the glass makes its contents clear to visitors and introduces playful arrays of reflection and light. The outsized transparency offers respite to visitors as they arrive from the bustle below.

模型图

平面图

细部分析图

建筑师：陆家嘴建筑师事务所

地点：中国香港

面积：10000 m2

年份：2017