充满富有想象力的博物展览馆-ANOHA儿童世界

ANOHA儿童世界（柏林犹太博物馆）中充满富有想象力的展览品，该博物馆为青少年带来了希望和可能性。

ANOHA的中心位于现有的前花市大厅内，是圆形的木制方舟，高约23英尺（7米），底座直径为92英尺（28米）。

曲线形的方舟补充了野兽派的弧形肋拱，光线掠过头顶，而从混凝土到木材的物质性转变与现有空间形成柔和的对比。

Through the imaginative exhibits within ANOHA—The Children’s World of the Jewish MuseumBerlin, the museum gives their youngest guests a sense of hope and possibility. Located within an existing former flower market hall, the heart of ANOHA is a circular wooden ark, standing almost 23 feet (7 meters) tall with a 92-foot (28-meter) base diameter. The curvilinear ark complements the curved ribs of the Brutalist light scoops overhead, while the shift in materiality from concrete to wood offers a softening counterpoint to the existing space.

ANOHA收藏着150多种雕塑动物，每只都是由18位柏林艺术家根据发现的物体创造的。这种方法鼓励孩子们考虑回收和适应性再利用的重要性，同时支持ANOHA的创造力和想象力的核心理念。

这些雕塑品的触感和对熟悉材料的发现感，进一步凸显了尊重，珍惜和保护全球资源的重要性。

沿着直观的访客通道放置的互动展品教会孩子们如何独立和作为一个群体解决问题，而以独特栖息地为原型的探索性空间可让孩子们体验各种动物的不同视角。

ANOHA is populated by more than 150 sculptural animals, each created from found objects by a team of 18 Berlin artists. This approach encourages children to consider the importance of recycling and adaptive re-use, while supporting ANOHA’s core philosophy of creativity and imagination. The tactile nature of these sculptural objects and the sense of playful discovery as children recognize the familiar materials used to make them further serve to highlight the importance of respecting, treasuring, and conserving global resources. Interactive exhibits placed along an intuitive visitor pathway teach children how to solve problems independently and as a group, while explorative spaces modeled after unique habitats allow children to experience the diverse perspectives of the various animals.

可持续策略已嵌入到建筑设计中，成为用户体验的组成部分。借助现有大厅的环境缓冲，可省去大量的机械系统，从而大大降低了能源负荷。

方舟中的吊扇和可操作窗户允许空气交换和自然通风。大厅的弧形混凝土屋顶将日光引入室内。方舟的窗户支持这种被动采光方式，同时在视觉上连接ANOHA与大厅现有的结构。

Sustainable strategies are embedded in architectural design as an integral part of the user experience. Extensive mechanical systems are eliminated thanks to the environmental buffer of the existing hall, significantly lowering energy loads. Ceiling fans and operable windows in the ark allow for air exchange and natural ventilation. The hall’s curved concrete roof forms draw daylight into the interior. The ark’s windows support this passive daylighting approach, while visually connecting ANOHA with the existing structure of the hall.

“世界各地的文化中有成百上千种的洪水神话，其中大多数都比《〈圣经〉旧约》早几千年。这种破坏和创造的故事-为了适应迅速变化的气候状况-是普遍存在的。每个人，任何地方，都可以与这些问题联系在一起，就像每个人都能被激励成为解决方案的一部分一样。”——设计总监Alan Maskin

“There are hundreds of flood myths from cultures all over the world, and most predate the Old Testament by thousands of years. This story of destruction and creation—of adaptation to a rapidly changing climate situation—is universal. Everyone, everywhere, can relate to those concerns, just as everyone can be inspired to be part of the solution.” –Alan Maskin, Design Principal

平面图

建筑师：Olson Kundig

地点：德国

面积：32300平方英尺